LOS ANGELES TIMES,
SUNDAY, FEBRUARY 14, 1988
An Insider's Report on the
Death of 'Wilton North' - Continued, Part III
By PAUL KRASSNER
On Sunday morning, Nov. 29, Barry had breakfast
with Fox executives. They felt that the show was unfunny,
mean-spirited, and resorted to cheap jokes about people's
looks.
That afternoon - one day
before we were scheduled to go on the air - Barry
gathered the staff in the conference room.
"The spirit of the
meeting was friendly," he said. "They think the
show is terrific. They think the news section is not
terrific. I've tried for two months to make the news work
at the top of the show. It doesn't work. It just plain
and simply doesn't work. It is incongruous with Phil and
Paul. We have two guys who are likeable, friendly guys
who we present in the news section as unfriendly and
unlikable."
What Barry originally
envisioned as the signature element of the show - the
opening news segment - he was now dropping. We were
thowing out the baby and keeping the bathwater.
"The only way the
show's gonna work is for Phil and Paul to be Phil and
Paul. They are the franchise. I have guided everybody in
the direction of ruining the careers of two nice guys.
Our job now is finding ways to get people to like them.
The show should be whimsical and lighthearted. It should
not have a heavy hard edge. Barry Diller [Fox chairman]
said to me, if I wanted to put the show on the way it is,
I can. I have chosen to not go on the air Monday."
Opening night was being
postponed for a couple of weeks so that the writers and
The Guys could become better acquainted.
And the sweet potato was
replaced by Maalox.
It was never clear why Jodie Foster had been
scheduled to be our first guest, but when the show was
postponed, she had to go to Paris. Other guests just
changed their minds and canceled out, from John DeLorean
to Baba Ram Dass.
We lost the President's
son, Michael, reportedly because a Slansky joke about
Nancy Reagan had been leaked to Michael's publicist.
Still, hit man Jimmy (The Weasel) Frattiano kept his
commitment to "The Wilton North Report" if not
the Mafia.
The writers were still
complaining about the blandness of the hosts.
"They're gonna give white bread a bad name."
"Let's make it real
clear," said Barry. "I'm sticking with these
guys. It's two straight white guys surrounded by madness.
So let's find the madness."
Later, in my office, he asked me how I thought we
could make the show more compelling. I gave my weekly
suggestion that he let political satirist Harry Shearer
do the news segment. Barry said, "I've talked with
Harry, but he wants to do characters. That's too sketchy.
We have to be a reality-based show."
I picked up a book.
"This is by Aaron Freeman. He performs with Second
City in Chicago. He's done commentaries on
'MacNeil/Lehrer.'" I turned the book over to show
his picture. "And he's black."
Barry smiled. "A
black couldn't hurt."
He looked at Freeman's
tape, then flew him in like an ebony messiah. He would
present an irreverent look at the news at the front of
the show every night. Then it became a commentary at the
back of the show three times a week. Then once a week.
Next came award-winning
investigative reporter Stan Bohrman to do the news at the
front of the show with The Guys reacting to it.
"Stan Bohrman is 'The Wilton North Report,'
Barry declared.
But Bohrman was reduced
from a three-minute newscast to five seconds about the
summit conference, only to be stopped by The Guys and
used as a lead-in for them to talk about the President's
dog. Bohrman complained, "I'm in a suit looking
somewhat like a newsman, but I'm a straight man
to their bad jokes. I wasn't hired for that.
On Friday, Dec. 11, we went on the air, ready or
not. Yup, there were The Guys, explaining how to tell
them apart: "I am Paul, I'm not as tall. He is Phil,
he's got the big bill."
Nancy Collins
interviewed Gary Hart's 23-year-old daughter, Andrea;
this was a few days before he announced his re-entry into
the presidential race.
Question:
"When your father had to pull out of the
race, he disappointed a lot of people who had worked for
him, and he certainly probably disappointed people who
were even closer to him. Aren't you angry with him?"
Answer:
"There's no anger, there's no anger at
all."
Q:
"Really?"
A:
"Yes."
Q:
"You weren't disappointed by any of his
actions that caused him to pull out of the race?"
A:
"Uh -"
Q:
"He has said actually that in terms of
the whole Donna Rice thing that he did not have an
intimate relationship with Donna Rice. Do you believe
that?"
A:
"It's none of my business. I've listened
to whatever he said and I believe whatever he said."
Q:
"I guess it's a little odd to me that
there wouldn't be some doubt, given the situation."
A:
"No, there's no doubt at all . . .
."
On the second show,
Nancy Collins interviewed producer Allan Carr.
Q:
"Now Joan Rivers just sued Gentleman's
Quarterly for some $50 million. And you were in this
article. So what's the story here? What is she
complaining about?"
A:
"Well, I can't say because I'm one of
the two people named as being at this event, and I don't
know who wrote this or what went on, and so I can't say
anything because it'll probably be legally - hello - that
was it, I was there, I don't know anything yet."
Q:
"But do you?"
A:
"I don't. I don't know if I'm supposed
to know anything or not yet. I haven't been told what I'm
supposed to know yet, but someone will tell me."
The next day, Fox's legal department sent out a
memo requesting that "at no time shall Joan Rivers'
name be mentioned on the show or to the press due to a
legal stipulation in her settlement agreement."
The criterion for
reality-based comedy had entered a gray area as a Pee-wee
Herman doll was interviewed and an electric toaster
possessed by the devil produced a slice of toast with the
message "Go to Hell" branded on it.
The reviews of the show
were devastatingly fair.
"If it wasn't my
show," said Barry, "I'd be laughing at
me."
Representing his fellow
writers, Billy Kimball told Barry they felt they could no
longer write for The Guys and posed the hypothetical
situation that the writers would quit en masse if the
hosts remained.
"Then the writers
will have to go." Barry called their bluff.
"It's Phil and Paul's show."
And somehow it
continued, with the momentum of an awful marriage where
it's too late to back out because the ring has been
purchased, the invitations mailed, the caterer hired, the
flowers ordered, even though the wedding ceremony is
really just a premature funeral.
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